Carl Heinrich Graun, Julia Lezhneva, Concerto Köln, Mikhail Antonenko's 'Silla / Act 3: "Parmi, ah no! Pur troppo, o Dio!"' came out on April 14, 2017. With this song being about 5 minutes long, at 4:34, "Silla / Act 3: "Parmi, ah no! Pur troppo, o Dio!"" by Carl Heinrich Graun, Julia Lezhneva, Concerto Köln, Mikhail Antonenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Heinrich Graun, Julia Lezhneva, Concerto Köln, Mikhail Antonenko's "Graun: Opera Arias" album is number 6 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Silla / Act 3: "Parmi, ah no! Pur troppo, o Dio!" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Silla / Act 3: "Parmi, ah no! Pur troppo, o Dio!" by Carl Heinrich Graun, Julia Lezhneva, Concerto Köln, Mikhail Antonenko to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Stabat Mater, P. 77: IV. Quae moerebat | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Osteroratorium (Easter Oratorio): Part II: Mein herz singt dir jetzt Freudenlieder (Alto) | Carl Heinrich Graun, Nina Koufochristou, Dagmar Saskova, Jan Kobow, Andreas Wolf, Cologne Academy Choir, Kölner Akademie, Michael Alexander Willens | A♭ Major | 0 | 4B | 101 BPM | ||
Trio in D Major: III. Allegro | Carl Heinrich Graun, Ursula Paludan Monberg, Arcangelo, Jonathan Cohen | D♭ Major | 1 | 3B | 114 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Silete venti, HWV 242: V. Alleluia | George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 119 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |
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