Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo's 'Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio' came out on 2006. With Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 48 in Albinoni: Complete Oboe Concertos by Tomaso Albinoni, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Based on our statistics, Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio by Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violin And Orchestra | Various Artists | D Major | 5 | 10B | 144 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 11: III. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata a Violoncello Solo G Major: Adagio | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | B Major | 1 | 1B | 121 BPM | ||
Sonata No. 4 in B Flat Major: XVII. 17 3. Grave | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
37 Canzonas: La Samminiata | Girolamo Frescobaldi, United Continuo Ensemble | B♭ Minor | 1 | 3A | 91 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM |
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