Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau made "3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria" available on January 26, 2024. The duration of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | ||
Trio Sonata in C Minor, BuxWV 262: II. Allegro - III. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Symphony in D Major, H. 651, Wq. 176: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concert LXI "Le Varié" | Monsieur de Sainte-Colombe, Myriam Rignol, Mathilde Vialle, Thibaut Roussel, Julien Wolfs | A♭ Minor | 0 | 1A | 166 BPM | ||
La Gamme en forme de petit opéra: I. Ut | Marin Marais, Les Timbres, Yoko Kawakubo, Myriam Rignol, Julien Wolfs | D♭ Major | 0 | 3B | 46 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Chamber Sonata No. 2 in C Minor: IV. Vivace - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 2 | 11B | 95 BPM | ||
Overture-Suite in D Major, TWV 55:D1: I. Ouverture: Lentement - Vite - Lentement | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM |
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