Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki's 'Symphony in D Major, H. 651, Wq. 176: II. Andante' had a release date set for March 22, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 21 in C.P.E. Bach: Symphonies - From Berlin to Hamburg by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Symphony in D Major, H. 651, Wq. 176: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in D Major, H. 651, Wq. 176: II. Andante by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM | ||
Matthäus-Passion, BWV 244, Part II: No. 60, Aria "Sehet Jesus hat die Hand" (Chorus II) | Johann Sebastian Bach, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | D Major | 1 | 10B | 128 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): III. Sarabanda: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 113 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM | ||
Trio Sonata in A Major, A02: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonia | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | D♭ Major | 2 | 3B | 120 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Adagio | Cologne Chamber Orchestra | D Minor | 0 | 7A | 38 BPM | ||
Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM |