Girolamo Frescobaldi, United Continuo Ensemble's '37 Canzonas: La Samminiata' came out on July 3, 2012. The duration of 37 Canzonas: La Samminiata is about 3 minutes long, at 3:28. Based on our data, "37 Canzonas: La Samminiata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Bassi by United Continuo Ensemble. In terms of popularity, 37 Canzonas: La Samminiata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 37 Canzonas: La Samminiata by Girolamo Frescobaldi, United Continuo Ensemble is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa della Madonna: Recercar Dopo il Credo | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Cello Sonata in B-Flat Major, RV 46: I. Largo | Antonio Vivaldi, Hanna Salzenstein, Justin Taylor, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Toccate e partite d'intavolatura, Libro 2 in G Minor, F 3.01: No. 1, Toccata prima | Girolamo Frescobaldi, Ivana Valotti | A♭ Minor | 2 | 1A | 70 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Quatrième suite in A Minor: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 86 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM |
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