"Quatrième suite in A Minor: No. 1, Prélude" by Marin Marais, François Joubert-Caillet, L'Achéron was released on October 15, 2021. The duration of Quatrième suite in A Minor: No. 1, Prélude is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Quatrième suite in A Minor: No. 1, Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Quatrième livre de pièces de viole" album is number 10 out of 105. On top of that, Belgium appears to be the country where this track was created. Quatrième suite in A Minor: No. 1, Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatrième suite in A Minor: No. 1, Prélude by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Les Folies d'Espagne | Jean-Henri d'Anglebert, Marin Marais, Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Sonata No. 1: II. Adagio | Carl Friedrich Abel, Petr Hejny | A♭ Major | 0 | 4B | 175 BPM | ||
The Image of Melancholly | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
Sonata No.6 in D Major, Op. 50: III. Larghetto | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM | ||
Bassoon Concerto in C Major, RV 474: II. Largo | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | C Major | 0 | 8B | 102 BPM | ||
Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Lise Viricel, Maud Gnidzaz, Le Concert Des Nations | B♭ Minor | 1 | 3A | 60 BPM |
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