"Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure"" by Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Lise Viricel, Maud Gnidzaz, Le Concert Des Nations was released on September 24, 2021. The duration of Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure" is about 3 minutes long, at 3:27. Based on our data, "Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 19 out of 85. On top of that, Switzerland appears to be the country where this track was created. Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcione, Acte V Scène 2: "Ombre de mon époux, c’est par toi que je jure" by Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Lise Viricel, Maud Gnidzaz, Le Concert Des Nations to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Fantasia in C Minor*: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Major | 0 | 6B | 94 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
Folias Americanas: II. Tango congo | Calixto Alvarez, Ensemble Vedado, Ronald Martin Alonso | F Major | 1 | 7B | 103 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Sonata quarta in D Major: I. Ciaccona | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 95 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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