Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin's 'Sonata No.6 in D Major, Op. 50: III. Larghetto' came out on February 16, 2024. The duration of Sonata No.6 in D Major, Op. 50: III. Larghetto is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sonata No.6 in D Major, Op. 50: III. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Golden Hour". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. In terms of popularity, Sonata No.6 in D Major, Op. 50: III. Larghetto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata No.6 in D Major, Op. 50: III. Larghetto by Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major. Op. 15, No. 1: II. Allegro | Joseph Bodin de Boismortier, Jacques-Antoine Bresch, Jocelyn Daubigney, Anne Savignat, Vincent Touzet, Jan De Winne | D♭ Major | 1 | 3B | 70 BPM | ||
2 Serenades ou simphonies francoises en 3 parties, Op. 39: Chaconne | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 129 BPM | ||
Sonata in E Minor, Op. 6, No. 8: II. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Ouverture-Suite in G Minor, TWV 55:g4: I. Overture | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Chamber Sonata No. 4 in G Minor: VI. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 112 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM |
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