"Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air" by Marin Marais, Ensemble Amalia was released on September 15, 2023. With Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 24 out of 32. On top of that, France appears to be the country where this track was created. Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air by Marin Marais, Ensemble Amalia to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Nisi Dominus, RV 608: IV. Cum dederit | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | A♭ Major | 1 | 4B | 142 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM |
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