Carlo Gesualdo, Musica Sequenza, BURAK's 'Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo' came out on October 8, 2021. The duration of Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo is about 3 minutes long, at 3:26. Based on our data, "Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Musica Sequenza, BURAK, Diana Ramirez's "Inferno" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo by Carlo Gesualdo, Musica Sequenza, BURAK to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Tenebrae Responsories, Feria sexta: III. Vinea mea electa | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 101 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
The Queen's Dolour, Z. 670 (Arr. for Ensemble by Le Consort) | Henry Purcell, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 1 | 4A | 117 BPM | ||
Les Indes galantes: Prélude pour l'adoration du soleil | Jean-Philippe Rameau, Musica Sequenza, Burak Ozdemir | G Major | 0 | 9B | 142 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM |
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