Jan Pieterszoon Sweelinck, Gustav Auzinger's 'Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III' came out on April 26, 2024. With Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Auzinger's "Hart 1627" album is number 4 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III by Jan Pieterszoon Sweelinck, Gustav Auzinger to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Dance | Maya Badian, Istvan Campan-Fatyol, Ladislau Darida, Erwin Czuczu | D♭ Minor | 2 | 12A | 159 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata No. 2 in G Major: V. Gavotta Vivace | Leonardo Vinci, Claudio Ferrarini | A♭ Major | 4 | 4B | 114 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Fantaisie en écho No. 16 | Jan Pieterszoon Sweelinck, Louis Thiry | B Major | 2 | 1B | 95 BPM |
Section: 0.5259449481964111
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