Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli made "Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai" available on December 31, 1997. With Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli's "Mascitti: 6 sonate da camera, Op. 2" album is number 22 out of 26. On top of that, Mexico appears to be the country where this track was created. Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai by Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 127 BPM | ||
Violin Sonata in D Minor, Op. 4 No 8, H. 92: III. Andante | Francesco Geminiani, Fabio Biondi, Antonio Fantinuoli, Giangiacomo Pinardi, Paola Poncet | A Major | 0 | 11B | 77 BPM | ||
Violin Sonata in E Minor, Op. 1 No. 4, K. 304: II. Tempo di menuetto | Wolfgang Amadeus Mozart, Fabrizio Cipriani, Sergio Ciomei | C Major | 6 | 8B | 121 BPM | ||
Sonata for two Cellos in E Minor: IV. Spiritoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 5 | 4B | 130 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Theodora, HWV 68, Pt. II: Symphony Of Soft Musick | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Violin Sonata in A Major, Op. 1 No. 5, K. 305: II. Tema con variazioni. Andante grazioso | Wolfgang Amadeus Mozart, Fabrizio Cipriani, Sergio Ciomei | A Major | 7 | 11B | 166 BPM |
Section: 0.5439505577087402
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