"Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz)" by Antonín Dvořák, Regula Mühlemann, CHAARTS Chamber Artists was released on August 26, 2022. Since Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) by Antonín Dvořák, Regula Mühlemann, CHAARTS Chamber Artists having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Liebestraum | Franz Liszt, Arthur Rubinstein | A♭ Major | 2 | 4B | 95 BPM |
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