"Turangalîla Symphonie: 1. Introduction" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. Turangalîla Symphonie: 1. Introduction is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 1 out of 10. Based on our statistics, Turangalîla Symphonie: 1. Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 1. Introduction by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | C Major | 0 | 8B | 122 BPM | ||
Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Saint Francois D'Assise / Troisième Acte: J'appelle: Ha! et ma voix: Ha! (coeur) | Olivier Messiaen, Arnold Schoenberg Chor, Erwin Ortner, Hallé, Kent Nagano, Jeanne Loriod | D♭ Major | 2 | 3B | 120 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 126 BPM | ||
Piano Sonata No.2: 1. Extrêmement rapide | Pierre Boulez, Yvonne Loriod | D♭ Major | 2 | 3B | 86 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM |
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