Pierre Boulez, Yvonne Loriod's 'Piano Sonata No.2: 1. Extrêmement rapide' came out on February 2, 2015. Since Piano Sonata No.2: 1. Extrêmement rapide is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pierre Boulez's "Le Domaine Musical" album is number 5 out of 156. Piano Sonata No.2: 1. Extrêmement rapide is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No.2: 1. Extrêmement rapide by Pierre Boulez, Yvonne Loriod to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | C Minor | 3 | 5A | 63 BPM | ||
Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Livre pour quatuor, version 1962: III a | Pierre Boulez, Quatuor Parisii | A♭ Major | 0 | 4B | 83 BPM | ||
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | C Major | 0 | 8B | 101 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |
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