Benjamin Britten, Ian Bostridge made "Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue" available on September 23, 2005. With Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 26 in Britten: Serenade for Tenor, Horn & Strings - Les Illuminations - Nocturne by Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker. Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue by Benjamin Britten, Ian Bostridge is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Minor | 0 | 6A | 117 BPM | ||
Kammermusik No. 1, Op.24 No.1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | D Minor | 1 | 7A | 176 BPM | ||
Rapsodie espagnole, M.54: 3. Habanera | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D♭ Major | 0 | 3B | 75 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 173 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 1: Introduktion (Mässig bewegt) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | A♭ Major | 0 | 4B | 90 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM |
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