Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten made "Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro" available on January 1, 1995. Since Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 25 in Bach, J.S.: Brandenburg Concertos etc. by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten, Carmel Kaine, Emanuel Hurwitz, Philip Ledger, Sir Neville Marriner, Tess Miller, William Bennett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Goldberg Variations, BWV 988: Var.1 (Arr. for Violin, Viola, Cello, String Orchestra & Harpsichord by Andreas N. Tarkmann) | Johann Sebastian Bach, Niklas Liepe, Jamie Phillips | G Major | 2 | 9B | 109 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | F Major | 4 | 7B | 117 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM |
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