Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens's 'Viola Concerto in C Minor: I. Allegro molto ma maestoso' came out on October 14, 2016. The duration of Viola Concerto in C Minor: I. Allegro molto ma maestoso is about 3 minutes long, at 3:27. Based on our data, "Viola Concerto in C Minor: I. Allegro molto ma maestoso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 13 in Bach by Nemanja Radulović, Double Sens. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Viola Concerto in C Minor: I. Allegro molto ma maestoso is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Viola Concerto in C Minor: I. Allegro molto ma maestoso by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata Op. 17 No 2 in C minor: Allegro | Johann Christian Bach, Virginia Black | D Major | 4 | 10B | 101 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Cello Concerto in C Minor (spuriosly attrib. to Johann Christian Bach) (arr. for viola and orchestra): III. Allegro molto | Anonymous, Henri Casadesus, Libor Novacek, Czech Chamber Orchestra, Otokar Stejskal | C Major | 3 | 8B | 62 BPM | ||
Viola Concerto in B Minor (Arr. H. Casadesus for Chamber Orchestra): I. Allegro moderato | Henri Casadesus, George Frideric Handel, Moscow Virtuosi, Boris Garlitsky, Yuri Gandelsman, Evgeni Kovalevsky, Amayak Durgaryan | B Minor | 2 | 10A | 93 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM |
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