Georges Bizet, Slovak Philharmonic, Anthony Bramall made "Carmen Suite No. 1: I. Aragonaise" available on February 5, 1988. The duration of Carmen Suite No. 1: I. Aragonaise is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Carmen Suite No. 1: I. Aragonaise's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Slovak Philharmonic, Anthony Bramall. In terms of popularity, Carmen Suite No. 1: I. Aragonaise is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Carmen Suite No. 1: I. Aragonaise by Georges Bizet, Slovak Philharmonic, Anthony Bramall is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 120 BPM | ||
Scènes bohémiennes la jolie fille de perth: Marche | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | C Minor | 2 | 5A | 99 BPM | ||
Der fliegende Hollander (the Flying Dutchman): Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | F Minor | 0 | 4A | 93 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM |
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