"Der fliegende Hollander (the Flying Dutchman): Overture" by Richard Wagner, Slovak Philharmonic, Michael Halasz was released on October 6, 1988. Der fliegende Hollander (the Flying Dutchman): Overture appears to be safe for all ages as it is not explicit. This song is part of Wagner, R.: Orchestral Highlights From Operas by Richard Wagner, Slovak Philharmonic, Michael Halasz. The song's track number on the album is #1 out of 7 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Der fliegende Hollander (the Flying Dutchman): Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der fliegende Hollander (the Flying Dutchman): Overture by Richard Wagner, Slovak Philharmonic, Michael Halasz has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der fliegende Hollander (the Flying Dutchman): Overture being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
Eine Faust-Ouvertüre | Richard Wagner, Philadelphia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philadelphia Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM |
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