"Eine Faust-Ouvertüre" by Richard Wagner, Philadelphia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philadelphia Orchestra was released on March 10, 2008. Eine Faust-Ouvertüre appears to be safe for all ages as it is not explicit. This song is part of Wagner: Overtures - Marches - Symphony in E - Siegfried Idyll by Richard Wagner, Wolfgang Sawallisch. The song's track number on the album is #3 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Eine Faust-Ouvertüre is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Eine Faust-Ouvertüre by Richard Wagner, Philadelphia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philadelphia Orchestra has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Eine Faust-Ouvertüre being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Tannhauser, Introduction to Act III: Tannhauser's Pilgrimage | Richard Wagner, Slovak Philharmonic, Michael Halasz | E♭ Major | 0 | 5B | 131 BPM | ||
String Quartet No. 2, Op. 26: I. Allegro rustico | Alberto Ginastera, Enso String Quartet | G Major | 4 | 9B | 102 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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