Johannes Brahms, Staatskapelle Berlin's 'Hungarian Dance No. 1 in G Minor: Allegro molto' came out on January 1, 2010. The duration of Hungarian Dance No. 1 in G Minor: Allegro molto is about 3 minutes long, at 3:17. Based on our data, "Hungarian Dance No. 1 in G Minor: Allegro molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 21 in Brahms: Hungarian Dances by Staatskapelle Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Hungarian Dance No. 1 in G Minor: Allegro molto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Dance No. 1 in G Minor: Allegro molto by Johannes Brahms, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | G Major | 0 | 9B | 68 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Introduction and Rondo capriccioso, Op. 28 | New York Philharmonic, Leonard Bernstein | A Minor | 2 | 8A | 91 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM |
Section: 0.6911320686340332
End: 0.6949679851531982