"Come, Sweet Death" by Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra was released on 1957. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Come, Sweet Death is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Sweet Death by Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35 (Arr. T. Dokshizer & P. Merkelo for Trumpet, Piano & String Orchestra): III. Moderato | Dmitri Shostakovich, Jae-hyuck Cho, Paul Merkelo, Russian National Orchestra, Hans Graf | A♭ Major | 1 | 4B | 73 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Poco adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | D♭ Major | 1 | 3B | 52 BPM | ||
Sonata for Solo Violin No. 3 in C Major, BWV 1005: IV. Allegro assai | Johann Sebastian Bach, Park Kyuhee | D Minor | 0 | 7A | 77 BPM | ||
Suite No. 2 in D Minor BWV 1008.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | D Major | 0 | 10B | 95 BPM |
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