"Raymonda, Op. 57: Act III - Variation IV" by Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov was released on March 18, 1996. The duration of Raymonda, Op. 57: Act III - Variation IV is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Raymonda, Op. 57: Act III - Variation IV's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Alexander Anissimov's "Glazunov, A.K.: Orchestral Works, Vol. 1 - Raymonda" album is number 29 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Raymonda, Op. 57: Act III - Variation IV is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raymonda, Op. 57: Act III - Variation IV by Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
La belle excentrique*: I. Marche franco-lunaire II. Valse du mysterieux baiser dans l'oeil III. Can-can Grand Mondain | Erik Satie, Gábor Eckhardt, Klara Kormendi | F Major | 2 | 7B | 147 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Nuages gris, S.199 | Franz Liszt, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 72 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Waltz Suite, Op. 110: VI. Happiness (from Cinderella) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano): I. Allegro moderato | Franz Schubert, Paul Olevsky, Walter Hautzig | E Minor | 1 | 9A | 125 BPM |
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