"Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès)" by Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse was released on 2003. The duration of Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) is about 3 minutes long, at 3:05. Based on our data, "Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Based on our statistics, Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) by Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, (b) "Allons, amis! point de vaines alarmes! … Pardon! … Hein?" (Wagner, Méphistophélès, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "Le ciel est noir, il va pleuvoir" - Quatuor. "Métella !" - Dialogue. "Gardefeu !" (Bobinet, Gontran, Gardefeu, Métella, Chœur) | Jacques Offenbach, Michel Plasson, Choeur Du Capitole De Toulouse, Henri Amiel, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | A♭ Major | 3 | 4B | 111 BPM | ||
Romeo and Juliette, Act II: Ah! ne fuis pas encore | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
Il Barbiere di Siviglia (Cessa di più resistere) | Rockwell Blake, London Symphony Orchestra, Ambrosian Choir, John McCarthy | B♭ Major | 2 | 6B | 64 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
La Cenerentola / Act 1: "Principino, dove siete?" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Alessandro Corbelli, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | G Major | 3 | 9B | 121 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Les Pêcheurs de perles: Act II: La, la, la...L'ombre descend des cieux (Villagers, Leïla, Nourabad) | Georges Bizet, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Major | 1 | 9B | 114 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM |
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