Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) - Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper Information

Acousticness: 95%
Danceability: 37%
Energy: 7%
Instrumentalness: 24%
Liveness: 16%
Loudness: 56%
Speechiness: 4%
Valence: 36%
Popularity: 6%
Loudness: -26.115 dB

Summary

Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper's 'Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons)' came out on August 17, 2012. The duration of Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 65 in Bizet: Carmen by Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle. In terms of popularity, Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) BPM

The tempo marking of Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) by Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino	Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle	D♭ Major	2	3B	140 BPM
Katya Kabanova, JW I/8, Act I Scene 2: "Což pak už mne nemáš rád?"	Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Andrew Staples	A♭ Minor	2	1A	85 BPM
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace	Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle	C Major	2	8B	79 BPM
Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama)	Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra	E♭ Major	3	5B	100 BPM
La Traviata, Act I: Si ridestra in ciel l'aurora	Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden	A♭ Major	4	4B	176 BPM
Rigoletto: Act I: Gualtier Malde … Caro nome	Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro	E Major	0	12B	171 BPM
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"	Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov	E Major	1	12B	90 BPM
Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus)	Gioachino Rossini, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Major	0	9B	98 BPM
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram	Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker	E Minor	2	9A	99 BPM
La traviata / Act 1: "Si ridesta in ciel l'aurora"	Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber	A♭ Major	4	4B	103 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7781820297241211

End: 0.7832093238830566