Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra's 'Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama)' came out on 1976. The duration of Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Macbeth by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti. The song's track number on the album is #25 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) by Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | C Major | 0 | 8B | 88 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" | London Philharmonic Orchestra | D♭ Major | 1 | 3B | 124 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Minor | 2 | 4A | 72 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | A♭ Minor | 3 | 1A | 76 BPM |
Section: 0.8710916042327881
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