La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta)
Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin
Verdi auf Deutsch: La Traviata
2:37 December 7, 2012
BPM
72
Key
F Minor
Camelot
4A

Embed

Share Link

La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) - Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin Information

Acousticness
96%
Danceability
56%
Energy
20%
Instrumentalness
0%
Liveness
14%
Loudness
77%
Speechiness
6%
Valence
42%
Popularity
Loudness
-14.091 dB

Summary

Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin made "La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta)" available on December 7, 2012. The duration of La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #3 out of 25 tracks. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) BPM

Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tre giorni son che Nina by Giovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaTre giorni son che NinaGiovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaG Major19B133 BPM
Roméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines? by Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo FrizzaRoméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines?Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo FrizzaA Major211B127 BPM
Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) by Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinCavalleria rusticana: Part I: Gli aranci olezzano (Women, Men)Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinB Major11B85 BPM
L'Heure exquise by Reynaldo Hahn, Susan GrahamL'Heure exquiseReynaldo Hahn, Susan GrahamD♭ Major03B79 BPM
7 Variations on 7 Variations on "Happy Birthday": Var. 2, RomanticHoward Arman, Bavarian Radio Chorus, Munich Radio OrchestraF♯ Major22B59 BPM
Chants d'Auvergne: 1. La Pastoura al Camps by Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey TateChants d'Auvergne: 1. La Pastoura al CampsJoseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey TateC Minor15A76 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Les nuits d'été, Op.7: 2. Le spectre de la rose by Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin DavisLes nuits d'été, Op.7: 2. Le spectre de la roseHector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin DavisD Major010B88 BPM
Mozart: Le nozze di Figaro, K. 492, Act 2: Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino)Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De LyonE Major212B91 BPM
Massenet: Thaïs, Act 2: Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale)Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier RothC Minor15A98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.702359676361084

End: 0.7124841213226318