Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot's 'Scènes bohémiennes la jolie fille de perth: Marche' came out on 1994. The duration of Scènes bohémiennes la jolie fille de perth: Marche is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Scènes bohémiennes la jolie fille de perth: Marche's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Bizet : Symphonie n°1, Offenbach : Ouvertures by Orchestre Philharmonique des Pays de Loire, Marc Soustrot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Scènes bohémiennes la jolie fille de perth: Marche is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scènes bohémiennes la jolie fille de perth: Marche by Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | ||
Hungarian Dance No.3 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Major | 0 | 7B | 93 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
L'orage s'est calmé... Ô Nadir, tender ami de mon jeune âge (Zurga) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Orchestre de l'Opéra National de Paris/Georges Prêtre/Guillermo Sarabia, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 1 | 10B | 86 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 1 in E-Flat Major: 2. Scherzo (Prestissimo) - Trio (Allegro) | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 113 BPM |
Section: 0.6115128993988037
End: 0.6170454025268555