"Carmen Suite No. 2: 1. Marche des contrebandiers" by Georges Bizet, Orchestre de Paris, Semyon Bychkov was released on August 4, 1994. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 18 in Bizet: Carmen Suites; L'Arlésienne Suites by Georges Bizet, Semyon Bychkov, Orchestre de Paris. In terms of popularity, Carmen Suite No. 2: 1. Marche des contrebandiers is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 2: 1. Marche des contrebandiers by Georges Bizet, Orchestre de Paris, Semyon Bychkov is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Life and Works of Brahms: Trio for Horn, Violin and Piano, Op. 40 (Finale) | Jeremy Siepmann | E♭ Major | 3 | 5B | 99 BPM | ||
Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | D Major | 2 | 10B | 99 BPM | ||
Die schöne Galathée: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 124 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 2 | 9B | 74 BPM | ||
Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Le docteur Miracle: Scene 3: Il va partir! (Le Podestat, Laurette, Veronique) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Minor | 2 | 5A | 149 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM |
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