"Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Wotan's Farewell - Magie Fire Music" by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund was released on June 15, 1989. Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Wotan's Farewell - Magie Fire Music appears to be safe for all ages as it is not explicit. This song is part of Wagner, R.: Ring (Der) (Orchestral Highlights) by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund. The song's track number on the album is #3 out of 6 tracks. Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Wotan's Farewell - Magie Fire Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Wotan's Farewell - Magie Fire Music by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Wotan's Farewell - Magie Fire Music being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 80 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM |
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