"Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom" by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White was released on July 27, 2009. Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 6 out of 8 in Bartók: Bluebeard's Castle by Béla Bartók, London Symphony Orchestra, Valery Gergiev, Elena Zhidkova, Willard White. Based on our statistics, Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture Prince Igor | Alexander Borodin, London Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 76 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): VIII. The Prince has an Idea | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Scène: (Allegro - Allegro giusto) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 4 | 10B | 167 BPM | ||
Requiem No. 1 in C Minor: Pie Jesu | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 0 | 4A | 75 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 114 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Rigoletto / Act 2: "Schiudete, ire al carcere" | Giuseppe Verdi, John Noble, Clifford Grant, Sherrill Milnes, Dame Joan Sutherland, London Symphony Orchestra, Richard Bonynge | D♭ Major | 5 | 3B | 78 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM |
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