Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti's 'Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind"' came out on January 1, 2012. The duration of Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" by Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act I: "Wein und Brot des letzten Mahles" | Richard Wagner, Hanna Schwarz, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 116 BPM | ||
Das Lied von der Erde: Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 - Act 1: "Presto, presto... pria ch'ei venga" | Wolfgang Amadeus Mozart, Walter Berry, Hilde Gueden, Cesare Siepi, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips | F Major | 3 | 7B | 90 BPM | ||
Don Giovanni, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Cesare Siepi, Fernando Corena, Walter Berry, Hilde Gueden, Suzanne Danco, Lisa della Casa, Anton Dermota, Wiener Philharmoniker, Josef Krips | C Major | 4 | 8B | 132 BPM | ||
Die schweigsame Frau, Op. 80, TrV 265: Siehst du, Ohm | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Fritz Wunderlich, Hans Hotter | F Major | 2 | 7B | 69 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "So schirme sie jetzt" | Richard Wagner, Simone Mangelsdorff, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 82 BPM | ||
Der Freischütz, Op. 77, J. 277, Act II: Kommt ein schlanker Bursch gegangen (Live) | Carl Maria von Weber, Wilhelm Furtwängler, Wiener Philharmoniker, Rita Streich | C Major | 2 | 8B | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: Ein ernster Tag, ein großer Tag! | Richard Strauss, Wilma Lipp, Franz Kasemann, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 125 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM |
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