"Quatuor pour la fin du temps (Quartet for the End of Time): V. Louange a l'Eternite de Jesus (Praise to the Eternity of Jesus)" by Olivier Messiaen, Hakan Rosengren, Per Enoksson, Mats Rondin, Stefan Bojsten was released on January 1, 1997. Since Quatuor pour la fin du temps (Quartet for the End of Time): V. Louange a l'Eternite de Jesus (Praise to the Eternity of Jesus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Per Enoksson's "Messiaen: Quartet for the End of Time / Martinu: Oboe Quartet / Schoenberg: Ein Stelldichein" album is number 9 out of 12. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Quatuor pour la fin du temps (Quartet for the End of Time): V. Louange a l'Eternite de Jesus (Praise to the Eternity of Jesus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du temps (Quartet for the End of Time): V. Louange a l'Eternite de Jesus (Praise to the Eternity of Jesus) by Olivier Messiaen, Hakan Rosengren, Per Enoksson, Mats Rondin, Stefan Bojsten to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
Quatuor pour la fin du temps: 4. Intermède | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | F♯ Major | 1 | 2B | 90 BPM | ||
Turangalîla-Symphony: VI. Jardin du sommeil d'amour. Très modéré, très tendre | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM |
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