"Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Nocturne No. 5 in F-Sharp Minor, Op. 15 No. 2 | Frédéric Chopin, Daniel Barenboim | F♯ Major | 0 | 2B | 127 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | G Major | 2 | 9B | 76 BPM | ||
Liebestraum No.1 in A Flat Major, S. 541 No.1: Notturno I: Hohe Liebe | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 75 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.4 in C sharp minor BWV849 | Daniel Barenboim | D♭ Minor | 0 | 12A | 173 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM |
Section: 0.7112030982971191
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