"Set of 5 Take-offs: Song Without (Good) Words" by Charles Ives, Joel Sachs, Continuum was released on March 1, 2005. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Ives's "Ives: Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'En / Sunrise" album is number 12 out of 17. In terms of popularity, Set of 5 Take-offs: Song Without (Good) Words is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Set of 5 Take-offs: Song Without (Good) Words by Charles Ives, Joel Sachs, Continuum to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 84 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
Turangalîla Symphonie: 6. Jardin du sommeil d'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 0 | 2B | 107 BPM | ||
Symphony No. 3, "The Camp Meeting": II. Children's Day | Charles Ives, Royal Northern Sinfonia, James Sinclair | E♭ Major | 1 | 5B | 137 BPM | ||
Ma mère l'oye, M. 60: 3. Laideronnette, Impératrice des pagodes | Valeria Szervánszky, Ronald Cavaye | A♭ Minor | 1 | 1A | 129 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Britten: String Quartet No. 1 in D Major, Op. 25: I. Andante sostenuto | Benjamin Britten, Endellion String Quartet | G Major | 1 | 9B | 137 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 0 | 9B | 110 BPM | ||
Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM |
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