"Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)" by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu was released on February 15, 1999. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) by Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egdon Heath, Op. 47 | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 0 | 4B | 133 BPM | ||
Violin Concerto: III. Allegro vivace | Aram Khachaturian, Rachel Barton Pine, Teddy Abrams, Royal Scottish National Orchestra | D Major | 3 | 10B | 169 BPM | ||
2 Sérénades (Arr. K. Aho for Violin & Orchestra): No. 1, Sérénade pour mon amour | Einojuhani Rautavaara, Simone Lamsma, Malmö Symphony Orchestra, Robert Trevino | E♭ Minor | 2 | 2A | 113 BPM | ||
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Études: No. 2 | Philip Glass, Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | ||
Númenor | Anthony Wilson, Royal Scottish National Orchestra, Robert Ziegler | C Major | 2 | 8B | 126 BPM | ||
Vigilia: Vespers: Psalm 103 | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | F Major | 1 | 7B | 107 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Vigilia: Vespers: Ekteniya of the Litany | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | C Minor | 4 | 5A | 74 BPM | ||
Sonata for Cello Solo: IV. Molto allegro | Einojuhani Rautavaara, Tanja Tetzlaff | D Minor | 1 | 7A | 55 BPM |
Section: 0.7270190715789795
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