"Turangalîla-Symphony: VI. Jardin du sommeil d'amour. Très modéré, très tendre" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget was released on February 2, 2024. Turangalîla-Symphony: VI. Jardin du sommeil d'amour. Très modéré, très tendre appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget's "Messiaen: Turangalîla-Symphony" album is number 6 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphony: VI. Jardin du sommeil d'amour. Très modéré, très tendre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphony: VI. Jardin du sommeil d'amour. Très modéré, très tendre by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Lamentate: Fragile e conciliante | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 62 BPM | ||
Saint Francois D'Assise / Premier Acte: "J'ai peur, sur la route" - 2e strophe (Frère Léon, Saint Francois) | Olivier Messiaen, Urban Malmberg, José van Dam, Hallé, Kent Nagano | D♭ Major | 2 | 3B | 169 BPM | ||
Des Canyons aux étoiles..., I/51: Pt. 1, III. Ce qui est écrit sur les étoiles | Olivier Messiaen, Seattle Symphony Orchestra, Ludovic Morlot, Steven Osborne, Jeffrey Fair, Matthew Decker, Michael Werner | A Major | 1 | 11B | 78 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM | ||
Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
13 Préludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Boris Giltburg | B♭ Major | 0 | 6B | 66 BPM |
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