"Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio" by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine was released on January 1, 2003. Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio appears to be safe for all ages as it is not explicit. The song is number 8 out of 110 in Alban Berg Collection by Alban Berg, Claudio Abbado, James Levine, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 84 BPM | ||
Pendant la tempête | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 70 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" | Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 2 | 4B | 122 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Variation 8: Molto sostenuto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | E Major | 0 | 12B | 78 BPM | ||
Dance Preludes *: No. 3. Allegro giocoso | Witold Lutosławski, Charles West, Susan Grace | B♭ Minor | 2 | 3A | 95 BPM |
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