Witold Lutosławski, Charles West, Susan Grace's 'Dance Preludes *: No. 3. Allegro giocoso' came out on January 1, 1996. With Dance Preludes *: No. 3. Allegro giocoso being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles West's "Lutoslawski: Dance Preludes / Faith: Sea Pieces / Genzmer: Sonatine / Alwyn: Clarinet Sonata" album is number 3 out of 16. In terms of popularity, Dance Preludes *: No. 3. Allegro giocoso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dance Preludes *: No. 3. Allegro giocoso by Witold Lutosławski, Charles West, Susan Grace to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): 6. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
String Quartet in F Major: IV. Vif et agite | Maurice Ravel, Cavani Quartet | D Minor | 1 | 7A | 140 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: III. Allegro | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
10 Polish Dances: No. 8, Maryszunka | Witold Lutosławski, New Music Orchestra, Szymon Bywalec | C Major | 9 | 8B | 125 BPM | ||
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Andante | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | E♭ Minor | 0 | 2A | 105 BPM | ||
Honegger: Danse de la Chèvre, H. 39 | Arthur Honegger, Emmanuel Pahud | E Minor | 0 | 9A | 90 BPM | ||
Ibert: Flute Concerto: I. Allegro | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 2 | 3B | 119 BPM |
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