Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff's 'Concerto No. 2 in B Minor for Double Bass and Orchestra: III. Allegro' came out on 2002. With this song being about 5 minutes long, at 4:54, "Concerto No. 2 in B Minor for Double Bass and Orchestra: III. Allegro" by Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edgar Meyer's "Meyer: Double Bass Concerto; Double Concerto; Bottesini: Double Bass Concerto No. 2; Grand Duo Concertant (Remastered)" album is number 6 out of 10. Based on our statistics, Concerto No. 2 in B Minor for Double Bass and Orchestra: III. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 2 in B Minor for Double Bass and Orchestra: III. Allegro by Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance oubliée, S. 527: Romance oubliée, S. 132/R. 467a | Franz Liszt, Nobuko Imai, Roland Pöntinen | F♯ Minor | 0 | 11A | 86 BPM | ||
Duetto For Clarinet, Double-Bass and Orchestra | Alun Francis, Kees De Visser, Giovanni Bottesini, George Pieterson, Hans Roelofsen, Arnhem Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Major | 1 | 7B | 56 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Eccles: Sonata in G Minor: I. Largo | Mark Morton | G Minor | 0 | 6A | 139 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM |
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