Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro - Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness: 87%
Danceability: 37%
Energy: 16%
Instrumentalness: 91%
Liveness: 14%
Loudness: 61%
Speechiness: 4%
Valence: 33%
Popularity: 7%
Loudness: -23.158 dB

Summary

Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti's 'Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro' came out on May 1, 1991. Since Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Bartók: Music for Strings, Percussion & Celesta; Divertimento; Miraculous Mandarin Suite by Pierre Oberkampf, Béla Bartók, Sir Georg Solti, Chicago Symphony Orchestra. Based on our statistics, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro BPM

The tempo marking of Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	D♭ Major	1	3B	95 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo	Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner	G Minor	1	6A	134 BPM
String Quartet No. 8 in C Minor, Op. 110: 4. Largo	Dmitri Shostakovich, Borodin Quartet	A♭ Major	0	4B	86 BPM
Nocturnes, L. 91: 2. Fêtes	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	A Major	2	11B	76 BPM
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto	Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis	G Major	0	9B	80 BPM
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia	Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein	D Major	1	10B	174 BPM
The Planets, Op. 32: 3. Mercury, The Winged Messenger	Gustav Holst, Chicago Symphony Orchestra, James Levine	E Minor	0	9A	83 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	0	10B	108 BPM
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	C Major	0	8B	138 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7269206047058105

End: 0.7303647994995117