"Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: Cello Concerto: III. Lento – | Frederick Delius, Jacqueline du Pré, Sir Malcolm Sargent, Royal Philharmonic Orchestra | D Major | 1 | 10B | 46 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 1 | 4A | 84 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Dutilleux: Sonatine for Flute and Piano: III. Animé | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | F Major | 1 | 7B | 115 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
Serenade, Op. 1: I. Un poco adagio - Allegro con sprito | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | C Major | 0 | 8B | 144 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World) | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 0 | 5B | 67 BPM | ||
Turangalîla Symphonie: 10. Final | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 4 | 3B | 155 BPM | ||
Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | G Minor | 1 | 6A | 105 BPM |
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