"Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!"" by Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. Since Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Based on our statistics, Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" by Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor. Con moto (Orch. Parlow) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 84 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 85 BPM | ||
Symphony No. 3 in D, D.200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Die Meistersinger von Nürnberg - Act 1: Wohl Meister! Zur Tagesordnung kehrt | Richard Wagner, Kurt Moll, Adalbert Kraus, Michel Sénéchal, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 95 BPM |
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