"Kujawiak: Mazurka, "Kujawiak"" by Henryk Wieniawski, Marat Bisengaliev, John Lenehan was released on June 3, 1994. The duration of Kujawiak: Mazurka, "Kujawiak" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Kujawiak: Mazurka, "Kujawiak"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wieniawski: Violin Showpieces by Henryk Wieniawski. The song's track number on the album is #11 out of 13 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Kujawiak: Mazurka, "Kujawiak" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kujawiak: Mazurka, "Kujawiak" by Henryk Wieniawski, Marat Bisengaliev, John Lenehan has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kujawiak: Mazurka, "Kujawiak" being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Liebesleid | Itzhak Perlman, Samuel Sanders | A Major | 1 | 11B | 93 BPM | ||
Henryk Wieniawski: Souvenir de Posen, Op. 3 Mazurka Caracteristique (arr. Marek Pasieczny) | Marek Pasieczny, Henryk Wieniawski, Krzysztof Pełech | F♯ Minor | 0 | 11A | 89 BPM | ||
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: III. Un poco presto e con sentimento | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | A Major | 0 | 11B | 137 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | C Minor | 1 | 5A | 149 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM |
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