Itzhak Perlman, Samuel Sanders's 'Liebesleid' came out on April 17, 2006. The duration of Liebesleid is about 3 minutes long, at 3:14. Based on our data, "Liebesleid" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Itzhak Perlman's "Kreisler: Collection" album is number 8 out of 42. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Liebesleid is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebesleid by Itzhak Perlman, Samuel Sanders to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | F Major | 2 | 7B | 96 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM | ||
I Could Have Done More | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 102 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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