"Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace)" by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda was released on December 23, 2016. Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) appears to be safe for all ages as it is not explicit. The song is number 3 out of 8 in Chopin: Piano Concerto No. 1; Ballades (Deluxe) by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle, Op. 60 | Frédéric Chopin, Vladimir Feltsman | D♭ Major | 1 | 3B | 69 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Seong-Jin Cho | F Major | 1 | 7B | 138 BPM | ||
Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" | Felix Mendelssohn, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 134 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: II. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | B♭ Major | 0 | 6B | 104 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM |
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