Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada made "Carmen Fantasy, Op. 25: I. Moderato" available on August 26, 2022. The duration of Carmen Fantasy, Op. 25: I. Moderato is about 3 minutes long, at 3:14. Based on our data, "Carmen Fantasy, Op. 25: I. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Sarasate: Carmen Fantasy, Op. 25: I. Moderato only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Carmen Fantasy, Op. 25: I. Moderato is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
133… At Least. | James Newton Howard, Hilary Hahn, Cory Smythe | D♭ Major | 2 | 3B | 103 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM |
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