"Mélodie, Op. 20, No. 1" by Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd was released on March 25, 1999. Since Mélodie, Op. 20, No. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 15 in Cello Moods by Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd, Alexander Borodin, Alexander Glazunov, Anonymous, César Franck, Claude Debussy, Edward Elgar, Frédéric Chopin, Giulio Caccini, Johann Sebastian Bach, Josef Rheinberger, Jules Massenet, Luigi Boccherini, Max Bruch. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Mélodie, Op. 20, No. 1 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mélodie, Op. 20, No. 1 by Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Waltz in A Flat Major Op.39/15 | Royal Philharmonic Orchestra | A♭ Major | 0 | 4B | 118 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Im Abendrot, D. 799 (Version for Cello and Piano) - Musical Moments | Franz Schubert, Kian Soltani, Aaron Pilsan | F♯ Minor | 1 | 11A | 76 BPM |
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