"14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer)" by Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan was released on April 28, 2023. 14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Mikayel Hakhnazaryan, Lia Hakhnazaryan, Artyom Minasyan's "Inner World" album is number 5 out of 17. In terms of popularity, 14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) by Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour un infante défunte, M. 19 | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | G Major | 0 | 9B | 86 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
Symphony in C Minor, Bryan Cm2: II. Andante | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | F Minor | 0 | 4A | 139 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM |
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